Nikon NIKKOR 135mm AF DC f/2D Lens Black
This item is brand-new, unused, unopened and undamaged item in original retail packaging.
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- The 135mm DC is additionally Nikon's most keen 135mm lens, and a remarkably awesome lens for nature and scene photography. It is universes more honed and more liberated from round distortion than any of the old manual center 135mm f/2 lenses.
Maximum Aperture F/2
Reproduction Ratio 0.48x
>Diaphragm Blades 9
Filter Size 72mm
Filter Size 72mm
Filter Type Screw-on
Lens Elements 7
The 135mm DC is additionally Nikon's most keen 135mm lens, and a remarkably awesome lens for nature and scene photography. It is universes more honed and more liberated from round distortion than any of the old manual center 135mm f/2 lenses. The hood is the best inherent hood I've ever utilized. It is metal, and it locks into position so it doesn't wilt down like most other implicit hoods.
DC remains for Defocus Control. A great deal lost all sense of direction in the interpretation in transit from Japan. The watchword is control, not defocus. This is not a delicate center lens; it is a lens that has been particularly outlined and licensed both for predominant bokeh (the non-abrasiveness of out-of-center regions), and the capacity to control this bokeh for ideal results under all conditions.
Plan and Features:
When you set the Defocus Image Control far from zero, the center movements. Make sure to center after you set the Defocus Image Control (DIC). That is the reason the ∞ mark has a white band slopping off to one side: with the DIC set to improve defocus behind the subject (R), interminability comes up along that bar. With the DIC set towards F, boundlessness comes up nearer on-scale separations. Try not to sweat this; this is the means by which the optics recombobulate themselves for ideal execution. In case you're a specialist and aren't getting this, leave the DIC at zero.
To switch amongst auto and manual center, press the opening catch on the left, and pivot the AF Mode selector between M or A.
For use on most Nikons made subsequent to the 1980s where gap is set or controlled on the camera, make certain to set the opening ring to 16, else you'll see a flickering " fEE" message. There's a sliding lock to keep it set at 16, simply over the 2 in the photograph above.
The construct nature of the lens is astounding because of mix of metal and plastic parts with a Nikon "master style" crease wrap up. The length of the lens stays steady paying little mind to the center setting and the front component does not turn because of a RF (Rear Focusing) plan. A pleasant and verging on overlooked methodology is the work in lens hood (telescope style). I would truly wish that this old "style" will see a recovery once more.
The Nikkor highlights an autonomous ring (fairly firm) to switch amongst AF and manual centering - a dated and awkward methodology looked at current AF-S lenses. The lens has no inside AF engine and depends on an opened drive screw worked by the camera. Therefore the AF creates a moderate level of clamor however the AF pace is nearly high. A fairly irritating angle is the somewhat long min. center separation of 1.1m.
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